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Photojournalism
2011 Casey Medals
Winner: "Caught in the Crossfire: Victims of gang violence," Los Angeles Times
This powerful portrait of the tragic effects of gang violence demonstrates a strong commitment to the people in this story on the part of the photographer and the publication. It takes enormous time and effort to gain this degree of understanding and trust of the people covered. This body of work meets the truest and highest purposes of the profession -- to give a strong and clear voice to those who are suffering. Davidson’s photos are intimate and shocking; they take us far beyond the daily crime stories into a world where being in the wrong place at the wrong time can be fatal.
Runner-Up: "I Am Sam," San Antonio Express-News
Lisa Krantz’s documentation of an inner-city high school in “I Am Sam” is terrific -- peak moment after moment, covering the gamut of emotions, photographed skillfully in wonderful light. The work allows viewers to feel as if they’d been admitted into the unifying circle of the school community, as these young people experienced birth and death, success and failure, joy and sorrow, all the travails of life.
Honorable Mention: "Jack’s Journey," The Seattle Times
A very simple story, clearly told in a tight edit of sensitive photographs. The photographer creates a warm, intimate document of two people in a very difficult situation: homelessness. That closeness allows readers to empathize and to consider what they themselves might do in those circumstances. When readers feel this, they tend to speak up, prompting the community to come together and help.
2010 Casey Medals
Winner: “Choosing Thomas,” The Dallas Morning News
These images captured the courage and love behind the gut-wrenching decision a family had to make about their unborn son. Each photo reads like a story, and the level of intimacy within them can come only if a photographer has established a strong sense of trust with the subjects. The images are intimate without being invasive.
Runner-Up: "Frozen Land, Forgotten People," Los Angeles Times
When vying tribes couldn’t agree over boundaries in Arizona, the U.S. government banned all development in the area – a freeze that stood for 40 years and resulted in legions of impoverished Navajo families. Davidson’s beautiful images capture children growing up amid deplorable conditions – in ramshackle dwellings, often without power or safe water – with a sense of suffering, but also resilience and pride. The images represent a dignified approach at showcasing the countless misfortunes resulting from U.S. policy.
Honorable Mention: "Half a Tank: Along Recession Road," The Washington Post
This series illustrates the most important story of our time – a tanking U.S. economy – and its implications across our country. Tightly composed, startling imagery immerses the reader in individual moments and illuminates experiences and outcomes.
2009 Casey Medals
Winner: "America's Shame: 50 million suffer from a lack of affordable healthcare," The Washington Post
Classic, beautiful photography that covers one of today’s greatest issues – health care – but also gives it a face. These photographs capture the struggle to stay healthy endured by so many, as Williamson photographs the hundreds of uninsured and underinsured Americans who flocked to an annual 3-day free field hospital in Wise County, Va. He is both documentarian and witness: His wrenching pictures cover the scope of activity, yet portray the hope and expectation in the eyes of the patients. Ultimately, the photographs capture the intensely personal moments that offer the insight needed to better understand this crisis.
Winner: "At the Edge of Life," The Dallas Morning News
This series about palliative care is innovative; it may be a photojournalistic first. It is not just a story about death; it is about the way people die and how some special people care for the terminally ill. The photojournalist covered all of her bases in this solid and carefully documented work. Hebert did an incredible job gaining access to this story, and then to get so close - perhaps closer to the subject than any of us want to be – speaks to the trust she was able to earn.
Honorable Mention: "The Girl in the Window," St. Petersburg Times
Lyttle’s images are well-crafted in a true documentary genre, as the life of a nearly abandoned child unfolds after years of abuse. Her keen work documents how the new life of a child, Dani, unfolds as she is welcomed in by an adoptive family. The images are strong, intimate and emotional. It is a remarkable photographic essay of a lost child and her newfound family.
2008 Casey Medals
Winner: "The Bottom Line," The Dallas Morning News
The approach of personalizing statistics through documentary photojournalism is not an original one, but rarely is it done more effectively than in “The Bottom Line.” The images are emotional and skillfully made, and required complex negotiation with state authorities to grant exceptional access to juvenile services, detention and mental health facilities. Reeder’s images are clean, iconic compositions that work well against each other to build a sense of people too often out of sight and out of mind.
Runner-Up: "A New Dawn? A Kentucky mother's struggle through drug court," Lexington Herald-Leader
Stephenson's three-year project on Dawn Smith's struggle to break a crushing cycle of drug abuse and destructive relationships is a devastating witness to a life caught in hopelessness. Through his use of composition and keen sense of body language and moments, Stephenson’s images fully communicate Smith’s story.
Honorable Mention: "Our Hidden Poor," Chicago Tribune
This compelling project challenges the viewer to take a fresh look at poverty today. Takahashi’s portraits of dignity and challenge reveal his commitment to each subject.
2007 Casey Medals
Winner: "A Mother's Journey," The Sacramento Bee
Renée C. Byer presents a window into the emotional, physical and financial toll that cancer takes on young victims and their loved ones. The sheer depth, quality and longevity of this sustained effort sets it apart, as Byer followed one mother throughout the final year of her son’s life and captured moments of exaltation, fear and finally despair. Her piece bears witness to the unfolding drama of a child’s life.
Runner-Up: "Kids, Guns and a Deadly Toll," The Philadelphia Inquirer
In a staccato, portrait-driven approach, April Saul gives a face and a story to every child killed by guns in the Philadelphia area in 2006; as reader and legislative response to the project attests, these images cannot be ignored.
Honorable Mention: "Homeless on the Waianae Coast," The Honolulu Advertiser
Photographs of homeless families living on the beach detail the plight of those pushed from their homes by rising housing costs.
2006 Casey Medals
Winner: "Born to Die," The Commercial Appeal (Memphis)
Focht’s photographs on infant mortality and premature babies dissected this important issue in a visually intimate way. By spending a great deal of time with her subjects, she was able to create intimate and beautiful portraits of pain and hope. Her images helped bring attention to how young, African-American mothers were being affected by a trend that few people in or out of government fully understood. This is the highest form of photojournalism: images that prick the conscience and encourage action.
Runner-Up: "Letting Go," The Denver Post
Documenting the intensely personal is always difficult for photojournalists but the images that Cross produced gave viewers a glimpse of what it is like for parents to slowly lose a child.
Runner-Up: "What's Best for Baby M?" The Seattle Times
Siegel photographed his subjects with great dignity and provided readers with the visual capacity to understand this complex tale of a homeless couple trying to regain custody of their child.
Honorable Mention: "Born Behind Bars," Inland Valley Daily Bulletin (Ontario, Calif.)
The pictures create a serious, incisive, illuminating look at how caring for their babies can have affect incarcerated mothers. Read the story>
Honorable Mention: "Missionary's Dark Legacy," Los Angeles Times
These rich, well crafted photographs create compelling portraits of people trying to recover from abuse.
2005 Casey Medals
Winner: "Operation Lion Heart," San Francisco Chronicle
These photographs humanize an Iraqi family victimized by war. They carry you through pain, courage, fear, compassion, redemption and love -- all without uttering a word. That's what art is all about. At a time when journalists are under attack, in part because of our perceived cool detachment, we need more stories that dare to grab the reader by the collar and demand attention. That's what these pictures do.
Runner-Up: "Last Chance High," The Star-Ledger (Newar, N.J.)
A work of depth and dedication, Rainey's photographs put a human face on students in a school for troubled kids. In this age of bottom-line journalism, Rainey took the time to depict these students' poignant stories.
Honorable Mention: "A Time to Live," Seattle-Post Intelligencer
The photographer could have taken us on a journey through hospitals and medical labs; instead we were treated to a wonderful story about a kid with lots of fortitude and heart.
2004 Casey Medals
Winner: "Enrique's Journey," Los Angeles Times
During the three months he spent retracing the path of a Honduran boy, Bartletti accumulated a striking compilation of photographs depicting the perils of an estimated 48,000 children who enter the United States from Central America and Mexico each year. The series offers a close look at what children must face to get a piece of the American dream. Barletti’s photographs are excellent – some nice moments, beautiful light.
Runner-Up: "Children Left Behind," The Plain Dealer
Omori’s photographs illustrate the problems of the city’s impoverished children through compelling narrative imagery.
Honorable Mention: "Our Homeless Children," The Des Moines Register
White gained the trust of four homeless youths to capture powerful moments in their lives.
about this award
The Casey Medals for Meritorious Journalism recognize exemplary reporting on children and families in the U.S. More than 4,500 journalists have competed for Casey Medals since 1994.